One Ten Hundred Thousand Million may be more subtle and emotional than The Octopus Project's first record, but it's every bit as hypnotic and hooky, and sometimes a whole lot noisier. Imagine the Young Marble Giants if they really were giants, with giant marble instruments -- charming, young, eccentric, gentle giants among men. In the two years since they recorded the first record, The Octopus Project has taken the barely-controlled chaos of their live performance from coast to coast playing hundreds of sh...   [ read more ]

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Drums vs. Drum Machines. Samplers vs. Guitars. Take these oppositional elements, add a willingness to start a band first and learn how to use the gear later, crank it up to 25,000, and that's somewhere in the neighborhood of The Octopus Project, who create a unique style of music for people who like the experimentation of progressive music, the blips and bleeps of electronic music and the raw animalism of rock. The Octopus Project is the latest development between longtime collaborators Josh Lambert, Yvo...   [ read more ]

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Hello Avalanche, The Octopus Project's third proper full-length on Peek-A-Boo Records, is a bold step forward musically and artistically for the band, whose recent successes include playing the Coachella Festival and several sold-out nationwide tours, receiving a proclamation as one of Rolling Stone's five stand-out artists at SXSW by senior editor David Fricke, and sweeping the Austin Music Awards (Best Experimental Band, Best Indie Band, Best Instrumental Band, Best Miscellaneous Instrument-- Yvonne Lamb...   [ read more ]

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