?After a six-year stint with the trio Rodriguez, M. Ward began sketching out songs deeply rooted in the classic traditions of American country-folk. Rodriguez's home was in San Luis Obispo, CA, and they eventually recorded Swing Like a Metronome with Granddaddy's Jason Lytle. Ward's first solo effort came in the form of Duet for Guitars #2, which was written and recorded with the help of John King while Ward was living between Chicago and various locales on the West Coast. Eventually, Duet for Guitars #2 ...   [ read more ]

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?Originally released in 1999, M. Ward's debut is a sparse, mostly live affair recorded with pal and engineer Adam Selzer of Norfolk & Western at Type Foundry Studio in Portland, OR. Listeners who are already accustomed to Ward's breathy, conversational vocal delivery and soft-picked, West Coast Americana melodies will find much to love here, while those looking for good entry point should probably start with one of his later albums.Duet for Guitars #2 is peppered with instrumentals in the John Fahey and Ba...   [ read more ]

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?Listening to M. Ward's breezy ode to radio's forgotten heydays is a lot like taking in a huge breath of dust-bowl wind -- however, its charms are rooted in the hazy lemonade-sipping of summer rather than the great depression-obsession of the post-{#O Brother, Where Art Thou?} mainstream.Ward's voice is a slap-delayed pastiche of Ron Sexsmith's easygoing croon and Andrew Bird's closed-mouth drawl, and like his front-porch fingerpicking, it's as effortless as it is effective. Transistor Radio begins with a ...   [ read more ]

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