From the first, Curtis Harvey's solo debut reveals itself as quite a departure for the man best known, until now, as the prodigious multi-instrumentalist behind Rex (Southern) and Pullman (Thrill Jockey). While Harvey is loath to cite specific musical inspiration for his first solo outing, he admits that his first exposure to live music was an aunt and uncle's bluegrass duo, and that records from the likes of the Carter Family and Bill Monroe, as well as contemporary neotraditionalist Gillian Welch got...   [ read more ]

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Kath Bloom is a legend of folk, country, blues and avant-garde music. Finally is a compilation of Kath Bloom's heartbreaking, lovelorn and remarkably beautiful songs recorded since the early 90s, when after a period of child-rearing, family life and daily financial struggle, Kath began to return to the studio. These are songs recorded on the fly in friends' lounge rooms or cut-rate studios, but they reveal a mother-of-three songwriter as accomplished and affecting as any of her more acclaimed colleagues su...   [ read more ]

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As Whiskeytown finally ground to a halt in the wake of an astonishing number of personal changes following Faithless Street (coupled with record company problems that kept their final album, Pneumonia, from reaching stores until two years after it was recorded), Ryan Adams ducked into a Nashville studio for two weeks of sessions with Gillian Welch and David Rawlings. While arch traditionalists Welch and Rawlings would hardly seem like a likely match for alt-country's bad boy, the collaboration brought out ...   [ read more ]

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