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In keeping with the dark, baroque feel of Tarsem's surreal thriller {#The Cell}, composer Howard Shore crafts a heavy, droning score that mixes Middle Eastern, industrial and symphonic elements. While many of these pieces -- such as "Tide Pool," "FBI Pathologist," and "Stargher King" -- work well in the film, removed from that context they become oppressive. "Sing a Song of Sixpence," "Valentine," "Catherine's World," and other quieter excerpts are not only more evocative, but easie... [ read more ]
CD $17.08