'On Wammo, Bailter Space find themselves in that uncomfortable place where what was once fresh and inspiring now starts to feel a little more repetitious and a little less special. By no means is the album a washout, but striking new fusions and changes don't leap to the fore as frequently as they used to. When they do emerge, they're quite welcome, but not as striking as they could be; for example, Parker's high-register singing on Splat is quite catchy in the verses, but the song itself isn't as special...   [ read more ]

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'Stripping the lineup down to just Kilgour on drums and old Gordons mate Halvorsen on bass, Parker and a revamped Bailter Space cooked up a full-length debut much closer in spirit to what '90s audiences were familiar with, while simultaneously distancing themselves from the ghost of the Gordons. The nervy, aggressive edge of the Gordons is still there, but now it's tempered by a slightly less aggressive approach. The downbeat guitar chiming and squalling feedback of Glass and The 'W' Song give a good sens...   [ read more ]

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?Hot on the heels of The Aim, Robot World elevated Bailter Space to even more fascinating levels, their winning combination of arty edge and wistful flow honed even more thoroughly than before. Begin not only starts the album but captures the trio's increasingly fascinating touch, with lyrics half heard in the feedback and crunch. It's more gently abstract, exchanging overload for a more stripped down, yet equally produced, power. Sometimes other hints of MBV's massively influential reinterpretations of ro...   [ read more ]

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