According to your parents, you are only as good as the company you keep. So it bears mentioning that it didn't take long for Remy Zero's ambiguous acoustica to find a home in the ears of Radiohead as well as -- to a much, much lesser extent -- Travis and Sting. No wonder. Situated against the youthful excesses of the British indie contingent or the shy "roots"-obsessed American underground, Villa Elaine shows the band off as duty-bound traditionalists. The doo wop dollop "Hollow" folds...   [ read more ]

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