Alright, Still (CD)
Like most British pop, Lily Allen's debut album, Alright, Still, overflows with impeccably shiny, creative productions. However, Allen attempts to set herself apart from the likes of Rachel Stevens, Natasha Bedingfield, and Girls Aloud with a cheeky, (mostly) amusing vindictive streak in her lyrics that belies the sugarcoated sounds around them. ...As with Nellie McKay (another young, opinionated woman eager to make herself the maverick in her chosen style of music), the dichotomy between Allen's sweet sound and ironic lyrics could be seen as either witty or clever-clever. Still, enough of Alright, Still works -- as pure pop and on the meta level Allen aims for -- to make the album a fun, summery fling, and maybe more. - All Music Guide
| Tracklisting | |
| Disk | 1 | |
| 1 | Smile |
| 2 | Knock 'Em Out |
| 3 | LDN |
| 4 | Everything's Just Wonderful |
| 5 | Not Big |
| 6 | Friday Night |
| 7 | Shame For You |
| 8 | Little Things |
| 9 | Take What You Take |
| 10 | Friend Of Mine |
| 11 | Alfie |
| Michelle S.
- Akron, OH, |
| At first listen, I was quite skeptical after hearing the hype over this album well in advance of its release- I mean, I really tried my hardest not to like this girl for what seemed like a novelty act based on more style (doorknocker earrings and formal dresses, however cute they may be) than substance. But after the first few tracks, I found myself shamelessly humming along. Lily Allen's vocal quality is rather impressive for such a naturally small, jazzy voice, dubbing over what amounts to cheeky melodies with a bit of an overproduced sound. When you can actually catch what she's saying, it ranges from innocent schoolyard crushes to kissing off her ex-boyfriends- which is rarely fodder for good material, but somehow, she pulls it off. | |